I built Gatorade’s “Traitor” spot around a single powerful image. No exposition, no extras — just tension and a message that cut through the noise: “No love lost. Only sweat.” The piece turned a charged narrative moment into a simple, iconic visual that let Luka’s presence do all the talking. We won three Clio awards for this one.
During the 2025 NBA All-Star Weekend in the Bay, I contributed creative direction for Jordan’s Fam Fest, shaping the on-the-ground experience from concept to execution, ultimately transforming a former navy base into an immersive Jordan-branded world that felt true to the city, teeming with electric All-Star energy.
The streaming service was looking for a unique way to promote their series Dear White People, a dramedy about the experiences of black students at a fictional Ivy League university. I ideated and produced Netflix's Taking Up Space — a digital documentary series about the real-life stories of students in a similar position at Harvard and Yale.
Creative directing Gatorade’s viral video with Caitlin Clark at the Super Bowl in New Orleans was a blast. Switching it up from basketball, we got her to throw some laser-sharp football passes — a playful yet powerful moment that highlighted her multi-sport talent and Gatorade’s role in athletic excellence.
I was a leader on the marketing team that helped sell more than 10 million units of NBA 2K21 and drove a record $3.37 billion in annual revenue for video game conglomerate Take-Two. I collaborated with NBA players and Instagram, TikTok, X, and YouTube to maximize the reach of our media.
I loved working on Gatorade’s film where Dirk Nowitzki welcomes and mentors Cooper Flagg as he joins the Mavericks. The piece blends a unique icon‐to-rookie story with genuine legacy. Dirk’s words of wisdom frame Flagg’s arrival not just as a draft pick, but as the next chapter in Dallas history.
Working with streamers is no joke. During a grueling but hilarious live session with RDCWorld, we blended comedy, culture, and brand storytelling in realtime for Gatorade. It was new territory for the brand and an essential element of Super Bowl Weekend 2025 with the best moments trending all over social media.
I spearheaded the creative direction for Gatorade × Eric Emanuel’s capsule collection, weaving together sport heritage and streetwear. From conceptual mood boards to campaign visuals, we executed a launch that felt both athletically rooted and culturally relevant — bringing Gatorade’s legacy into the world of high-end, performance-inspired fashion.
During my time as the editorial lead at music distributor UnitedMasters, we won a Cannes Lion and Clio for our soundtrack collaboration with the NBA. Soon after, we elevated the project with an exclusive Apple Music partnership dedicated to playlisting and promoting independent artists.
I wrote and conceptualized Hyperice’s “Humanity” commercial, voiced by Naomi Osaka. The tennis champion's narration called out systemic inequities through the lens of a company that wanted to boldly proclaim that caring for your body and each other aren’t separate journeys.
I directed the creative for Gatorade’s campaign announcing that WNBA champion A’ja Wilson joined the brand. The shoot combined power, poise, and grit — spotlighting her MVP swagger through bold lighting and dynamic framing — to underscore her status as both an elite athlete and a cultural icon.
ESPN was sourcing material that would help them own digital channels with the same authority as their grasp on linear television. I produced and marketed one of the elements in realizing that strategy: Last Table — an ESPN digital series that brought athletes and celebrities together for sports debates over dinner.